000			03559cam a22002658i 4500
999			_c2695 _d2695
003			OSt
005			20201124101759.0
008			190201s2019 nyu b 001 0 eng c
020			_a9781138710214
040			_c
082	0	0	_a820.9112 _223 _bBOY / B
245	0	0	_aLiterary and cultural alternatives to modernism : _bunsettling presences
260			_aNew York : _bRoutledge, _c©2019.
300			_axvi, 257 p. ; _c23.5 cm (Hardbound)
490			_aRoutledge studies in twentieth-century literature
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction : alternatives to modernism : dissonant voices and multiple modernities 1890-1939 / Kostas Boyiopoulos, Anthony Patterson, Mark Sandy -- Rhetoric and feeling in Rupert Brooke / Andrew Hodgson -- Strange truths : romantic re-imaginings in Wilfred Owen and Siegfried Sassoon / Mark Sandy -- "Now I climb alone" : poetic subjectivity in Thomas Hardy to Stephen Spender / Michael O'Neill -- Pamela Colman Smith, Anansi and the child : from The green sheaf (1903) to The anti-suffrage alphabet (1912) / Katharine Cockin -- Maverick modernists : sapphic trajectories from Vernon Lee to D.H. Lawrence / Sondeep Kandola -- "Modernistic shone the lamplight" : Arthur Symons among the moderns / Kostas Boyiopoulos -- Richard Le Gallienne : a jongleur strayed into the modern world / Margaret Stetz -- "If I'm not very careful, something of this kind may happen to me!" : the preordained role of the reader in M.R. James's Ghost stories / Luke Seaber -- A large mouth shown to a dentist : G.K. Chesterton's surgical parodying of T.S. Eliot / Michael Shallcross -- Modernist or realist? : the double vision of E.M. Forster / Kate Symondson -- The amateur modernist : C.L.R. James in Bloomsbury / Saikat Majumdar -- The iconoclasm of H.G. Wells and the modernist canon / Carey Snyder -- Writing for a new age : Arnold Bennett and the avant-garde / Anthony Patterson -- Ford Madox Ford's Parade's end and the tropes of nineteenth-century literary Toryism / Koenraad Claes.
520			_a"Our collection of essays re-evaluates the much critically contested term of Modernism that, eventually, came to be used of the dominant, or paradigmatic, strain of literary discourse in early-twentieth-century culture. Modernism as a category is one which is constantly challenged, hybridised, and fractured by voices operating from inside and outside the boundaries it designates. These concerns are reflected by those figures addressed by our contributors' chapters, which include Rupert Brooke, G.K. Chesterton, E.M. Forster, Thomas Hardy, M.R. James, C.L.R James, Vernon Lee, D.H. Lawrence, Richard La Galliene, Pamela Colman Smith, Arthur Symons, and H.G. Wells. Alert to these disturbing voices or unsettling presences that vex accounts of an emergent Modernism in late nineteenth-century and early twentieth-century literary cultures predominately between 1890-1939, our volume questions traditional critical mappings, taxonomies, and periodisations of this vital literary cultural moment. Our volume is equally sensitive to how the avant garde felt for those living and writing within the period with a view to offering a renewed sense of the literary and cultural alternatives to Modernism"-- _cProvided by publisher.
650		0	_aModernism (Literature) _zGreat Britain.
650		0	_aEnglish literature _y20th century _xHistory and criticism.
700	1		_aBoyiopoulos, Kostas _eEditor
700	1		_aPatterson, Anthony _eEditor
700	1		_aSandy, Mark _eEditor
942			_2ddc _cBK